Cornell University Computer Policy and Law Program

Can the music go on by offering fans better ways to get music, while guaranteeing payment for its creators? Where have copyright law and its enforcers gone wrong, and what can students, music fans, and co-creators do to put the law back on track?

How can the university foster intellectual exploration and creativity, protect students' privacy, and educate responsible citizens of the networked world? Is it possible to support balanced copyright law and enforcement, without responding to every entertainment company's demands for internet filtering and "pre-litigation notices"?