Video and Multimedia Production and Articles, Papers, and Reports

This document is a code of best practices that helps creators, online providers, copyright holders, and others interested in the making of online video interpret the copyright doctrine of fair use. Fair use is the right to use copyrighted material without permission or payment under some circumstances.

The New Media Consortium (NMC) and the EDUCAUSE Learning Initiative (ELI) jointly produced Horizon Report describes six areas of emerging technology that will have significant impact on higher education within three adoption horizons over the next one to five years. The 2008 report focuses on the following topics;

• Grassroots Video
• Collaboration Webs
• Mobile Broadband
• Data Mashups
• Collective Intelligence
• Social Operating Systems

As online video burgeons, so do questions about what kinds of uses of copyrighted works are legal online. Inevitably, those questions will be settled at least as much by practice and private negotiation as by legal action. Recent discussions of filtering and monitoring practices for platform providers show the importance of identifying lawful uses, while meeting industry concern to limit unauthorized use of copyrighted material. This study showcases user practices in use of copyrighted works within their own online videos at the dawn of this process. It identifies nine common kinds of re-appropriation practices, including satire and parody, criticism, and video diaries. It shows that a substantial amount of user-generated video uses copyrighted material in ways that are eligible for fair use consideration, although no coordinated work has yet been done to understand such practices through the fair use lens.
Thus, a significant set of creative practices is potentially both legal and at risk of curtailment by currently discussed ways to control online piracy and theft of copyrighted works.

This research bulletin surveys the chief components of contemporary multimedia services in colleges and universities and describes some emerging practices for deploying and sustaining them in an increasingly digital and user-centered world. It includes a review of recent experiences in three smaller and two larger institutions. As audio, video, and instructional technologies converge, and as faculty and student expectations for these resources escalate, multimedia services are emerging as the next major arena in which technology and other campus leaders will find their way to standard practices that leverage these strategic assets for institutional success.

"A spirited debate recently arose on the International Forum of Educational Technology & Society (IFETS) listserv. A (real world) conference had been announced with the aim of "raising awareness of the benefits of using online technologies in supporting teaching, learning and assessment, with a particular emphasis on the impact of e learning." A university was organizing this conference and aiming it at the university sector. Contributors to the IFETS listserv questioned whether there was still a need for conferences on this topic. In my experience at the University College Dublin (UCD), understanding of the online medium's potential among faculty has always appeared limited. But recent software developments have helped more academics—and their students—at UCD benefit from online learning."

"Digital media can bridge these gaps between tradition and innovation. The Internet can support traditional methods of instruction by capturing lectures using streaming video and thus making the classroom available to students anytime and anywhere. But students need more than a simple duplication of their lectures. They need new study methods. "

Converting an audiotape lecture-capture system to a digital one required close attention to staff, instructor, and student needs

Bradley University and the University of Central Florida used Internet2 to stage Antigone from multiple sites.

Video self-modeling—part of the Russ Berrie Sales Institute curriculum—is captured, edited, and reused in student e-portfolios demonstrating their sales skills.