Copyright, Copyright Act of 1976, and Federal Copyright Law
Fair Use in the U.S. Economy
| Title: | Fair Use in the U.S. Economy (ID: CSD5293) | | Author(s): | Thomas Rogers (Capital Trade, Incorporated), Andrew Szamosszegi (Capital Trade, Incorporated), and Peter Jaszi (American University) | | Source: | Computer & Communications Industry Association | | Origin: | Contributed by Organizations or Campuses (11/22/2007) | | Type: | Articles, Papers, and Reports | | Abstract: | While policymakers pay much attention to copyrights, exceptions to copyright protection also promote innovation and are a major catalyst of U.S. economic growth. Specific exceptions to copyright protection under U.S. and international law, generally classified under the broad heading of Fair Use, are vital to any industries and stimulate growth across the economy. Companies benefiting from fair use generate substantial revenue, employ millions of workers, and, in 2006,represented one-sixth of total U.S. GDP.
Under guidelines published by the World Intellectual Property Organization (WIPO), economic activity associated with copyrights has been studied extensively. To date, however, the economic contribution of industries dependent on fair use has not been quantified. Thus, a primary objective of this study is to fill the gap and provide an initial assessment of the economic contribution generated by companies benefiting from fair use. Fair use is an important restriction to the rights conferred on original works by the U.S. Copyright Act of 1976: "The fair use of a copyrighted work ... is not an infringement of copyright." The fair use doctrine, and other limitations and exceptions, have grown in importance with the rise of the digital economy, as fair use permits a range of activities that are critical to many high technology businesses and are an important foundation of the Internet economy.
The beneficiaries of fair use encompass a broad range of companies, particularly those whose business activities involve the Internet, as well as consumers. The ubiquity of the Internet means that its benefits are widespread as well.
| | View this resource: | |
The Cost of Copyright Confusion for Media Literacy
| Title: | The Cost of Copyright Confusion for Media Literacy (ID: CSD5237) | | Author(s): | Renee Hobbs (Temple University), Peter Jaszi (American University), and Patricia Aufderheide (American University) | | Origin: | Contributed by Organizations or Campuses (09/26/2007) | | Type: | Articles, Papers, and Reports | | Abstract: | The fundamental goals of media literacy education -- to cultivate critical thinking about media and its role in culture and society and to strengthen creative communication skills -- are compromised by unnecessary copyright restrictions and lack of understanding about copyright law, as interviews with dozens of teachers and makers of media literacy curriculum materials showed. In K-12, higher education, and after-school programs and workshops, teachers face conflicting information about their rights, and their students' rights, to quote copyrighted material. They also confront complex, restrictive copyright policies in their own institutions. As a result, teachers use less effective teaching techniques, teach and transmit erroneous copyright information, fail to share innovative instructional approaches, and do not take advantage of new digital platforms. This is not only unfortunate but unnecessary, since copyright law permits a wide range of uses of copyrighted material without permission or payment. Educational exemptions sit within a far broader landscape of fair use. However, educators today have no shared understanding of what constitutes acceptable fair use practices. Media literacy educators can address this problem with the same techniques they use in their work: increasing shared knowledge. Like other creative communities, such as documentary filmmakers, media literacy educators from K-12 to university level can articulate their own shared understandings of appropriate fair use in a code of practice. This code can educate not only themselves and their colleagues, but their students and administrators. Finally, their code can guide and instruct other educators, in formal and informal settings, who use copyrighted material in their teaching for a wide range of educational purposes and goals.
| | View this resource: | |
Acquiring Copyright Permission to Digitize and Provide Open Access to Books
| Title: | Acquiring Copyright Permission to Digitize and Provide Open Access to Books (ID: CSD4309) | | Author(s): | Denise Troll Covey (Carnegie Mellon University) | | Origin: | Contributed by Organizations or Campuses (2005) | | Type: | Articles, Papers, and Reports | | Abstract: | What are the stumbling blocks to digitization? Is copyright law a major barrier? Is it easier to negotiate with some types of publishers than with others? To what extent does the age of the material influence permission decisions? This report, by Denise Troll Covey, principal librarian for special projects at Carnegie Mellon University, responds to many of these questions. It begins with a brief, cogent overview of U.S. copyright laws, licensing practices, and technological developments in publishing that serve as the backdrop for the current environment. It then recounts in detail three efforts undertaken at Carnegie-Mellon University to secure copyright permission to digitize and provide open access to books with scholarly content. | | View this resource: | |
|